Humanism and Clericism of the 16th century
Uploaded by tabs27 on Nov 28, 1999
The two paintings, The conversion of St. Paul by Caravaggio, and lady writing a letter with her maid by Vermeer, reflect the religious conflict between the Protestant and catholic cultures of 16th century Europe.
Before we take a look at why they reflect the religious dispute, first we must know some background on what caused it. Humanism and Clericism. During the renaissance humanism stood for the intellectual attitudes of the ancient world paired with the wide acceptance of the existence of God. Humanists were interested in aesthetics, saw the usefulness of historic knowledge, and were convinced that man's main duty in life, was to enjoy his life soberly and to be active in his community. It was believed that those who studied the past would be able to lead better, more responsible lives. On the contrary, there is something called Clericism, where people believed G-d reigned supreme to all and that humanism remained useless because the mer man was worth so little.
The statue of David best describes the ongoing influence of Protestant and catholic controversy on the visual arts. Michaelangelo uses David, a character from the Old Testament as his subject matter. The story goes that David, a mer man throws a stone with a slingshot at the mighty giant Goliath and kills him. (Your basic good vs. Evil.) Michaelangelo uses Clericism in this piece by incorporating a story from the bible, and on the other hand also incorporates his humanism influence into the work of art by placing himself as the character David; Giving us the impression that even the mer man can overcome his problems with knowledge of how to defeat them, instead of continually relying on the almighty to solve your problems for you. David shows the 2 conflicting views in a magnificent statue form.
Another Magnificent piece of artwork is Leonardo's sketch of a man within a circle. Vitruvius adding a quote to the piece later on, "man in his perfect proportions, is the center of all things", suggests that this piece was influenced by humanism. We say this because the piece portrays a mere man as the center instead of what the catholics may haved placed, that which god would be in the center of the circle. Catholics, Priests, and church officials alike would not approve of this irrational idea and the sketch itself.
A christian priest & scholar, Martin Luther, was a man...