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Mr. Tambourine Man by Bob Dylan - Why it is a ClassicWritten by: Lili Wolff Mr. Tambourine Man - Bob Dylan Chorus Hey, Mr. Tambourine Man, play a song for me I’m not sleepy and there is no place I’m going to Hey, Mr. Tambourine Man, play a song for me In the jingle jangle morning I’ll come following you Though I know the evening’s empire has returned into sand Vanished from my hand Left me blindly here to stand but still not sleeping My weariness amazes me, I’m branded on my feet I have no one to meet And the ancient empty street’s too dead for dreaming... ->CHORUS Take me on a trip on your magic swirling ship My senses have been stripped My hand’s can’t feel to grip My toes too numb to step Wait only for my bootheels to be wandering I’m ready to go anywhere, I’m ready for to fade Into my own parade Cast your dancing spell my way, I promise to go under it... ->CHORUS Though you might hear laughing, spinning, swinging madly across the sun It’s not aimed at anyone It’s just escaping on the run And but for the sky there are no fences facing And if you hear vague traces of skipping reel rhyme To your tambourine in time It’s just a ragged clown behind I wouldn’t pay it any mind It’s just a shadow you’re seeing that he’s chasing ->CHORUS Take me disappearing through the smoke rings of my mind Down the foggy ruins of time Far past the frozen leaves The haunted frightened trees Out to the windy beach Far from the twisted reach of crazy sorrow Yes to dance beneath the diamond sky with one hand waving free Silhouetted by the sea Circled by the circus sands With all memory and fate driven deep beneath the waves Let me forget about today until tomorrow... ->CHORUS Why Mr. Tambourine Man is A Modern Classic The most obvious and popular interpretation of Bob Dylan’s Mr. Tambourine Man is that the song is about drugs. This makes sense, as it was against the law to write songs about drugs in the 1960s when ‘Mr. Tambourine Man’ was composed. The metaphors are simple: ‘Mr. Tambourine Man’ is the drug-dealer. “Take me on a trip upon your magic swirling ship...” is asking the drug-dealer for the drugs, and then the lyrics go on to describe the physical effects on the body after consuming hallucinogens: “My senses have been stripped My hands can’t feel to grip My toes too numb to step. . .” Another obvious reference to drug-taking comes from the fourth verse, “Take me disappearing through the smoke rings of my mind...” The smoke rings relating literally to drugs being smoked, and the last line of the last verse, also if taken literally, relates to escaping from the realities of life by using drugs: “Let me forget about today until tomorrow”. However, this interpretation does not explain some of the vivid imagery used throughout the song where it is not easy to draw parallels between drugs and the image, for example, “The haunted frightened trees”. This phrase could be written about the emotional state of the drug user, and by embuing those emotions onto something else the surreal atmosphere already invoked in the earlier passages is heightened. In the second and third verses there are several lines expressing suprise at feeling fatigued: “My weariness amazes me” and how the body is also tired: “my toes too numb to step.” Bob Dylan said himself “Drugs never played a part in that song... ‘...disappearing through the smoke rings of my mind....’, that’s not drugs, drugs were never a big thing with me.” This leads me to believe that the song is indeed about something other than drugs. Some analysts have written about the song as an expression of freedom. One clear example of a phrase that expresses a sense of freedom is, “To dance beneath the diamond sky with one hand waving free/ Silhouetted by the sea...” This image strongly evokes the idea of someone living freely, both literally, dancing a beach, and the connotations that the sea and the sky provide here, of openess and liberty. There are several references to ‘escaping’, for example, “I’m ready to go anywhere...”, “...but for the sky there are no fences facing” which means that the sky is the limit, “...just escaping on the run” and again “Let me forget about today until tomorrow.” These lines fit with the freedom theme: escaping to achieve freedom. But forgetting about today until tomorrow seems only a temporary escape, bringing the back the idea about drugs. It has also been suggested that Mr. Tambourine Man is a poem about transcendence, or reaching enlightenment. Some people see Bob Dylan himself as Mr. Tambourine Man, and he does “Cast [his] dancing spell” through the magical and fantastic imagery of swirling ships and trips into one’s own mind. I believe that the song could be about all of these ideas, and the importance of one in particular relating only to the mood of the listener. This is an important reason for stating that Mr. Tambourine Man is a classic: The lyrics provide the possibility to understand the song in different contexts by different listeners. The ideas differ between people, some finding freedom in Dylan’s song, some feeling like they are under a spell when listening to the light repetitive tune and figurative language. The cleverness of the language is that people can read almost anything into it, the most basic example being Mr. Tambourine Man, who can be seen as anything from a drug-dealer to a religious man to Bob Dylan himself. Another reason that the song has such a hallucinogenic feeling is the structure of the song. The verses are made up of what appears to be many individual concepts put together, like a dream, giving a surreal effect. The reference to Ozymandius and crumbling empires furthers the dream-like quality of the words.
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| Picoprep 2002-03-30 05:00AM | No Rating |
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I would firstly like to congratulate whoever wrote this essay for the mere fact that they have decided to investigate Mr Tambourine man - they are very correct in saying that it is a modern classic. But allow me to continue with a point for comment. You have investigated the Tambourine Man to be a "drug-dealer, a religious man, and Dylan himself", but you have not at all looked into the point of him maybe being simply a man who plays the tambourine. I grew up with this song - one of my earliest memories is my father playing it as we drove through a park in our second-hand Volvo 740. I am only 17 now, but that was easily more than ten years ago. I loved this song from the moment I heard it, and for reasons that I could not wholely understand. At the age of five or six, though, I was not at all capable of reading into it too deeply. For that reason, my interpretation of the song was always very simple - Dylan was sitting on a side walk with a homeless man who went only by the name of 'Mr Tambourine Man'. I presumed that, for that night at least, Dylan was also homeless. "There is no place I'm going to", he says. I always thought this to mean he had nowhere that he COULD go to. So there in my mind at the age of five was an image of a man who could make music all night long and another man (Dylan) who wanted nothing more than to listen to it. Equally, I figured that after spending one night with the Tambourine Man, Dylan wished to travel with him whereever he went ("in the jingle-jangle morning I'll come following you") as he was now under his spell. These were always what I thought the points of the song. Once again, I express I was young and innocent, but, like you say, one of the best things about Mr Tambourine Man is that it is able to be interpreted differently by whoever listens to it. Something I should point out, though, is that up until this year, I always thought Dylan said "Cast your dance and spill my wee" instead of "Cast your dancing spell my way". You can just imagine the strange imagery that put into my head as a five year old! Once again, and excellent essay. Yours, Adrian Sydney, Australia | |
| sdog 2002-04-14 07:00AM | No Rating |
| First of all I found the same essay at http://www.collegetermpapers.com/termpapers/music/bob_dylan.shtml but by a different author, they say by: crystal, do you know who wrote this paper? | |
| xandergiles 2007-02-15 05:18PM | |
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I hate it when Dylan's mesmerisingly powerful poetry is allways attributed to some sort of drug trip - its almost insulting (if not blasphemous!) In order to interpret the song you've got to see that there is a real sense of infinity in the tambourine man: from the line "i'm not sleepy, and there is no place i'm going to" we get the idea that this meeting between the narrator (perhaps Dylan) and The Tambourine Man is occuring at night, perhaps a number of people sitting in a circle in the desert (anybody seen Easy Rider?). Dylan asks this character (heaped in mystery) to "play a song for (him)" for "there is no place (he's) going to", looking out into the infinity of the night towards the 'jingle jangle morning' where we all, perhaps, must "go following (him)". This is completely synonomous with the Judeo-Christian concept of Jesus Christ, the new beginning, the salvation, the hope and love of God embodied on earth, and moreover that it is not the tambourine man but Jesus that we should follow into the new morning. That is, the song is about Dylan's love of the message of Jesus Christ, perhaps seen most potently in Dylan's own conversion from Judaism to Christianity. Just take a look at some of the lines: "cast your dancing spell my way, I promise to go under it" - Faith? again, look at the last verse where Dylan sings "so take me disappearing through the smoke rings of my mind, down the foggy ruins of time, far past the frozen leaves, the haunted frightend trees, out to the windy beach, far from the twisted reach of crazy sorrow" (a journey to a beach) where, utterly iconicly and with a power that surpasses even the poets of old, Dylan cries "YES! to dance beneath the diamond sky with one hand waving free, silouheted by the sea, circled by the circus sands, with all memory and fate driven deep beneath the waves, let me forget about today until tomorrow" (an expression of the joy of accepting that God has put us hear for a reason, simply to love and be loved for all eternity). Dylan then goes onto the chorous, taking on an almost revived meaning : "Hey, Mr. Tambourine Man, play a song for me I’m not sleepy and there is no place I’m going to Hey, Mr. Tambourine Man, play a song for me In the jingle jangle morning I’ll come following you" - so relaxed and yet so powerful, Mr Tambourine man (written by the God that is dylan before he was 25) is more than just a modern classic, it is (at least in my oppinion) the greatest statement of the meaning of life and the greatest poetry to be written by mankind ever ever ever. My it live on as an image of the splendour of the mind of man in a glory undimmed but before the breaking of the earth. --- Alexander Giles Physics and Philosophy Student, Univeristy of Bristol, UK | |
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